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Cursive Alphabet

How to Improve Your Cursive Handwriting

Messy cursive often isn’t a problem with the letters themselves. More often it is one of five habits that make good letters hard to read. Find yours below, then print the drill for it — one problem at a time.

Which problem is it?

Write a few lines the way you normally do, then read them against this list.

  1. 1. The size drifts

    Letters shrink as the line goes on, short letters poke above the midline, or everything is tiny.

    Write on ruled paper with a dotted midline until the height is automatic, and find a size you can keep. Writing much larger or smaller than your natural size makes letters uneven and tires the hand sooner.

  2. 2. Everything is squeezed together

    People can read it slowly but not at a glance. Ovals close into slits; words run into each other.

    Open the letters up rather than making them bigger: round ovals, round humps, a little more room between letters, and a clear gap between words.

  3. 3. Some letters look like others

    m reads as n, a as o, e as l, r as s. Each letter looks fine alone; in a word it turns into another one.

    Learn the one detail that separates each pair — shown below — and drill the pairs as real words, side by side.

  4. 4. The slant wanders

    Some letters lean right, some stand up, some lean back. The page looks untidy even when every letter is correct.

    Any slant works if it stays the same. Practise on paper with slant lines and keep every downstroke parallel to them.

  5. 5. It falls apart at speed

    Neat when you take your time; unreadable when you take notes.

    Go from slow to fast in steps: write a sentence slowly, then again a little quicker, and stop speeding up at the point where letters start to change shape.

“my biggest weakness is getting even lettering and maintaining the size throughout the page.”

“Can I read it? Yes. But can I speed read it? No”

“I’d love to be able to make my m’s and n’s different from my u’s but that’s a struggle I can’t win.”

The detail that separates each look-alike pair

Each pair below is two real words that differ by one letter. If yours read the same, the difference described under them is the part to exaggerate.

seem in cursive
seem
seen in cursive
seen

Keep the humps the same size and count them as you go — two for n, three for m. Humps written in a hurry are the ones that merge.

Cursive m · cursive n

month in cursive
month
mouth in cursive
mouth

Round the tops of n and point the tops of u. If your n comes out pointed at the top, slow down on the overcurve that starts it.

Cursive n · cursive u

same in cursive
same
some in cursive
some

Bring a all the way down to the baseline before it moves on; let o leave from the top with its short bridge.

Cursive a · cursive o

feel in cursive
feel
fell in cursive
fell

Height is the whole difference: stop the loop of e at the dashed midline and take l right up to the top line.

Cursive e · cursive l

these in cursive
these
there in cursive
there

Close s into its small round bottom. Give r its flat step to the right before it comes down.

Cursive s · cursive r

move in cursive
move
more in cursive
more

Take v down to a sharp point and leave from the midline. r comes all the way down to the baseline.

Cursive v · cursive r

gear in cursive
gear
year in cursive
year

Close the oval of g before you drop below the line; leave the top of y open, like a u.

Cursive g · cursive y

Want to see whether it has worked? Ask someone to read a line of yours — or test your own eye first with the cursive reading test.

Slant: pick one and keep it

Guides disagree about the angle. Two widely read ones say 35 degrees, a calligraphy teacher uses 52, and printable slant guides come in 52, 60 and 68 — and none of them says what the angle is measured from. What matters more than the number is that the slant stays the same from the first letter to the last. Upright is fine too; left-handers often write that way, and the left-handed page explains why.

Speed: slow, then faster

One handwriting video calls haste “the biggest enemy of legible script”. A calligraphy blog warns the opposite way: write too slowly and cursive looks choppy, so find your own “Goldilocks speed”. Both are right, in order — slow until the shapes are fixed, then speed up a step at a time. The cursive for adults page has a sheet built for exactly that: one sentence written four times, from slow to quick.

Drill sheets

One sheet each for size, spacing, look-alikes and slant; for speed, the slow-to-fast sheet is on the cursive for adults page. Work on one problem at a time rather than all of them at once.

If cursive makes your hand hurt

Cursive keeps the pen moving for a whole word at a time, and it is easy to tense up while you concentrate on the shapes. The usual fixes:

  • Loosen your grip. Hold the pen firmly but without squeezing; a tight grip stiffens the fingers and makes the writing worse, not better.
  • Use a smoother pen. A gel pen or fineliner glides where a ballpoint drags, so you do not have to press as hard. A thicker barrel or a cushioned grip is easier to hold than a slim, shiny pen.
  • Move from the arm. The Palmer Method taught students to write with the arm rather than the fingers. You don’t need to master that to benefit: let your forearm slide along the page instead of stretching your fingers to reach the end of a word.
  • Warm up, and build up. If you rarely write by hand, two minutes of warm-up patterns helps, and a short session every day builds stamina better than one long one a week. The daily practice plan takes ten to fifteen minutes a day.

Pain that keeps coming back is worth raising with a doctor or an occupational therapist rather than pushing through.

“When I write print I have no issue, but when I'm trying to write in cursive my hand hurts.”

Still unsure of a letter?

If the problem is one letter rather than the whole page, go to its page — Q, G, Z, r and a few others also show the older Palmer form beside it.

Check the path on screen

A letter drawn from the wrong starting point never joins well. The tracing board tells you if you start in the wrong place or go the wrong way.

Practise on real sentences

Once single words are even, move to sentences and then whole paragraphs, where size and slant drift the most.