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Cursive Alphabet

Joining Cursive Letters

Cursive is the joins. There are only four kinds — from the baseline, from the midline after a bridge letter, into an oval, and after a capital — and once each one is in your hand, any word is just a sequence of them.

Four kinds of cursive join: an, on, ca, An

Four join reference groups

The font examples below show individual letter shapes and exit levels, not continuous pen paths. Use the experimental lab above to see actual connectors and lifts. Course-specific joins may use different entries and capital forms.

Baseline join: an it el

Baseline join

The common case. The first letter ends with an undercurve tail on the baseline, and the next letter simply starts from that tail. Most pairs in most words are this join.

an it el hi up ta

Bridge join: on be ov

Bridge join

b, o, v, w have high exits in these letter references. In courses using bridge joins, the following entry may be shortened. The experimental model above instead connects to its own authored entry path; these are different models.

on be ov we or wh

Join into an oval: ca ed ig

Join into an oval

For oval letters such as a, c, d, g, o and q, compare the entry with your course's model. Keep the oval clear and the joining stroke controlled. The experimental model above retains its own entry curves rather than substituting course-specific entries.

ca ed ig la to sq

After a capital: An Ca Me

After a capital

For the original capital forms shown here, use a lift after B, D, F, I, O, P, S, T, V, W, X. The separate experimental chart above shows its own joining exits. Follow your course's capital rules when they differ.

An Ca Me Be Ti Do

Pairs that trip people up

  • br in cursive

    br — A bridge into r: the r's shoulder sits right on the bridge, so keep it small.

  • os in cursive

    os — A bridge into s: start the s from the midline, not the baseline, and keep it short.

  • ve in cursive

    ve — A bridge into e: the e's loop is drawn from the midline, so it looks flatter than usual.

  • wr in cursive

    wr — Bridge into r again — write, wrong and wrap all use it.

  • ox in cursive

    ox — Bridge into x, then the cross stroke afterwards.

  • ff in cursive

    ff — Two loops above and two below in a row; keep both stems on the same slant.

Exit levels in the original letterforms

End on the baseline (tail join)

a c d e f g h i j k l m n p q r s t u x y z

End at the midline (bridge join)

b o v w

Four letters, and each one changes where the next letter starts: cursive b, cursive o, cursive v, cursive w.

Capitals you lift the pen after

B D F I O P S T V W X

This grouping belongs to the original letterforms, not every cursive course. The experimental chart above has its own examples. See capital letters.

Joining letters practice sheet

One row per kind of join, then the tricky pairs, then words that use them. When the pairs feel automatic, take them into whole cursive words and then into full sentences, where spacing between words becomes the thing to watch.

Join questions

Do all cursive letters connect?

In the original letterforms used here, lowercase letters connect and these capitals require a lift: B, D, F, I, O, P, S, T, V, W, X. The experimental joined model has its own examples and deliberate pen lifts. Capital forms and joining rules vary by course; do not force all capitals to connect.

Why does the letter after o look different?

In courses using high-exit joins, o finishes near the midline, and the next entry may be shortened. b, v and w also have high exits in these references. The experimental model connects each exit to the next letter's authored entry without replacing that entry with a course-specific form.

How do I practise cursive joins?

Start with short pairs or groups of two or three letters. Check their shapes and joins against the model you are learning, then practise them in meaningful words. Keep repetitions brief and move on when the connection feels comfortable. Use the experimental lab for continuous-path examples.

Should letters in a word be evenly spaced?

Aim for readable, balanced spacing, not identical measured gaps. Letter shapes, entry and exit strokes all affect the space within a word. Leave a clear word gap, and compare your practice with the same letter model rather than assuming every exit must be the same length.